Bollywood Hot Actresses Photos: GEETA DUTT Bollywood Hot Actors Photos Biography Videos Wallpapers 2012

Thursday, 2 February 2012

GEETA DUTT Bollywood Hot Actors Photos Biography Videos Wallpapers 2012

GEETA DUTT BIOGRAPHY

Time frame of Birth
23 Nov 1930, Faridpur Region, Eastern Bengal, Indian
Date of Death
20 This summer 1972, Bombay, Indian (cirrhosis of the liver)
Birth Name
Geeta Ghosh Roy Chowdhuri
Mini Biography

Geeta Dutt was created in Faridpur Region in Eastern Bengal in 1930. Songs Home Hanuman Prasad provided her opportunity to perform two collections in the movie Bhakt Prahlad (1946). Her significant task came the following season, 1947, with Do Bhai. From 1947-1949 Geeta Duttt was variety play-back musician in Mumbai. Originally Geeta was a musician well known for bhajans and weepy, weepy sad music. But in 1951 after the discharge of a movie, Baazi exposed a new aspect.

During the documenting of the music she met Expert Dutt and later in 1953 they got wedded. However in 1957 they had some issues. Due to wedding issues she was not quickly obtainable for rehearsals and discovered comfort in consume. She experienced a anxious malfunction but started again executing again. But her consuming issues were not over and she approved away of cirrhosis of the liver organ in 1972.
IMDb Small Bio By: Alps
Mini Biography
Acclaimed as the one musician who was terrifying by Lata Mangeshkar, Geeta Dutt organised a unusual mellifluous overall tone in her speech that could energy interest and all types of feelings into whatever music she sang. This unusual capability also permitted her to exchange from conventional songs to Western-styled music without missing a defeat. When Lata Mangeshkar came as the new king of tune, it was this liquid top quality in her speech that kept her up in the play-back industry. If it hadn't been for her terrible connection with the excellent film director Expert Dutt, her expert would have shone on unclouded her whole lifestyle.
She was designed Geeta Roy on 7 This summer 1930, the little lady of a wealthy zamindar in the Faridpur region of Eastern Bengal. In 1942, at the age of 12, close relatives members moved to Bombay and took up property in a moderate property in the Dadar region. In that smooth, songs film director K. Hanumath Prasad observed her speech, and made the decision to provide her a little sector in Bhakta Prahlad (1946), a film he was reviewing songs for in those periods. She only performed two collections in that film, but her skills amazed everyone in the documenting studio space. It was only a issue of your energy and attempt before she became a top musician, and soon she got her crack with Two Bros (1947). The songs of that film became greatly well-known and thus began a efficient profession for Geeta.
From 1947 to 1949, Geeta was the king of play-back songs, shifting from durability to durability. She was originally known as on to perform spiritual songs and sad songs, but on the discharge of Baazi (1951), a criminal action thriller which presented jazz-based songs, a more recent, more delicate aspect was exposed in her speech, which immediately designed her more well-known. She went from conventional songs to Western-beat music with such versatility that she became much required by all songs administrators who had to write in direct contrast songs for a film. When 'Lata Mangeshkar' improved as the new king of Bollywood songs, Geeta and Shamshad Begum the only two performers who were still known as upon for songs.
On the individual front side, during documenting the songs for Baazi (1951), Geeta met a young upcoming house, Expert Dutt. They dropped in really like and, although they experienced powerful resistance from or their family members, they wedded on 26 May 1953, and had three kids. Their love also seemed to carry a glimmer into Geeta's voice; she performed some of her best ever songs in her spouse's movies. Later on, though, the wedding began to hit bumpy ground; Geeta, while having a wonderful speech also had a controlling and dubious characteristics, and the several battled and reconciled several periods.
While all her songs became greatly well-known, it was the composers Sachin Dev Burman and O.P. Nayyar who provided Geeta her best ever music. Burman, although he designed her a achievements with the jazzy Baazi (1951), suggested to use that exclusive lilt in her speech for conventional Native indian melodies; actually no other musician apart from Geeta has truly embodied the soul of Burman's songs. Nayyar, however, designed Geeta's speech for more Westernized songs, and under his songs Geeta could perform for just about any category of music. Whether the music was hip, European,
Unfortunately, by 1957 her lifestyle was starting to drop apart. Expert Dutt had gotten involved with his protégé Waheeda Rehman, and the splitting up of her individual lifestyle began to effect on her expert profession. Music administrators began to grumble about her not being quickly available for music rehearsals and recordings; factors got so bad that both Burman and Nayyar chosen the more recent, more available Asha Bhosle over Geeta and groomed Asha into an excellent musician. To quieten factors down Dutt began capturing "Gauri," which appeared his spouse in the headline role; she was to be launched as a executing celebrity, but the film was shelved after just a few periods.
Finally, on 10 Oct 1964 Expert Dutt was discovered deceased in his bed, having dedicated destruction. His loss of lifestyle triggered Geeta to experience a anxious malfunction. To complicate factors, she was in a economical mess; and due to all the traumatic activities around her she took to liquor. She tried to get back her profession by reducing disks at the Durga Poja and executing at level reveals, and even tried featuring as a heroine in the Arabic film Badhu Bharan (1967). But by then the liquor had done its perform and her wellness was in a decrease. She gradually approved away in 20 This summer 1972, from cirrhosis of the liver organ.
It was a honor to her oral expert, though, that even when her wellness was unable she could contact it up and take in it into songs; Anubhav (1971) is well known for having some of Geeta Dutt's best songs. And even after her loss of lifestyle, her speech still jewelry with that exclusive trying to remember lilt...
Geeta Dutt (born: Geeta Roy) was one of the most important vocalists in the record of Native indian theatre. During the ten decades that she was in her primary (1947 to 1957), she documented the soundtracks for such well-known Native indian movies as "Do Bhai", "Barsaat", "Andaaz" and "Mahal".. Initially known for her executing of sad ballads, Dutt efficiently moved to a more-jazzy strategy with the soundtrack of the 1951 film, "Baazi", the guiding first appearance of her spouse to be, Expert Dutt. One of ten kids designed to a middle-class close relatives in the Eastern Bengal town of Faridpur District, Dutt drawn interest with her executing soon after shifting with her close relatives to Mumbai in 1942. Overheard by a songs film director, Hanuman Prasad, she was given two collections to perform in a 1946 film, "Bhakt Prahlad". The film's achievements led to Dutt being welcomed to perform the soundtrack of the film, "Do Bhai", the following season. Dutt's reputation grew even larger. Between 1947 and 1949, she was the most beneficial play-back musician in Indian. With the appearance of Lala Manishkar in 1949, however, her position was decreased to variety two. Nevertheless, Dutt ongoing have fun with a successful profession. Married to Expert Dutt on May 26, 1953, Dutt's upcoming seemed protected. The several had two kids and a little lady. By 1957, however, the wedding had diminished. When Expert Dutt began a connection with a new important lady, Waheeda Rehman, divorce became inevitable. In the consequences of her divorce, Dutt tried a come back to movies. Although programs were designed for her to celebrity in "Gauri", designed to be India's first film in Cinemascope, the film was shelved a few periods before capturing was organized to start among reviews of Dutt's being not available for rehearsals or documenting classes. Following Expert Dutt's loss of lifestyle on Oct 10, 1964, allegedly from an over dosage of resting tablets, Dutt experienced a anxious malfunction. Although she retrieved and tried a return, showing in "Badhu Bharan" in 1967 and "Anubhav" in 1971, she ongoing to consume and her wellness deteriated. Dutt approved away of cirrhosis of the liver organ on This summer 20, 1972. ~ Todd Harris, All Music Guide
Around the mid 30's, almost everyday, all throughout the season, in a little town known as Idilpur in Faridpur region of Eastern Bengal, a little lady of about five to six decades of age sat under a shrub, her wonderful sight set on the boat moving over the extensive stream at the front side, her listening to paying interest to songs sang by the boatmen-Songs like "Bhabasagar hotey paar karo amarey" were among her most favorite and she liked the songs and desired to perform them. She could invest a whole day with this kind of action and at periods would get to sleep, only to be woke up by her adoring mom, who advised her of her research and other little family tasks that a normal Bengalee lady was predicted to understand. She had already been confessed to the regional Pathhsala (village school), but exposed no interest in research and invested her time singing music that she had grabbed from the boatmen. She liked to perform and at that young age also liked to dancing to the music she had learned. She was not the only kid in close relatives members. Her name was Geeta and she was designed on the 20 third day of Nov, 1930. She was one of the ten kids of Debendranath Ghosh Roychoudhury (Ghosh was the last name while Roychoudhury a headline typical to several landlords) and Amiya Devi. Her moms and dads soon became conscious of her oral skills and permitted her to perform in the existence of town individuals and were pleased at the reaction, the villagers all made the decision that she had a very excellent speech and performed very well. Although Debendranath was a zamindar (landlord), some complications popped up, close relatives members had to move to Calcutta, then investment of complete Bengal of English Indian, in the starting 40s. Here a songs expert Shri Harendranath Nandi (a close relatives relative) provided her training in songs. She learned individuals songs, mild songs and also grabbed songs from information and movies and was a satisfied kid with the independence she got in executing. She did not have to go to university then. In 1942, close relatives members moved again, this a chance to Bombay. Regular modify of place did cause some minutes of distress, with Geeta's songs training getting affected. Moreover, she was confessed to Arabic School of Bombay, although the sexy lady did not hassle much about university attendance-She approved her Matriculation evaluation as a personal student in 1947 and simultaneously ongoing executing, which was her first really like. The close relatives, by then decreased economically to middle-class position, could not manage to interact with any costly expert for official coaching in songs. During her remain in Bombay from 1942 forward, she came touching several non-Bengali family members and was fast to understand different 'languages' through the organization and obtained operating information of Hindi, Punjabi, Nepali, Sindhi, Urdu, Gujrati and others and this turned out to be useful in later decades. Music session and exercise sensible she was now on her own, having learned to perform the harmonium by then. It was success indeed that Pandit Hanuman Prasad should have been strolling at the front side of Debendranath Roy Choudhury's house with Geeta executing within. Hanuman Prasad observed the speech and stepped directly into the property and enquired about the musician to Geeta's dad. He was advised by Debendranath that it was the speech of his young little lady Geeta and immediately came an provide from Prasad to perform in movies. Hanuman Prasad described that he would not be able to provide much perform to the litttle lady, but for Bhakt Prahlad (1946) where he had a refrain, he desired Geeta to perform just two collections on her own in Suno Suno Binti Hamari Prabhuji. The music would be refrain, but in it Geeta's speech would be identifiable. It was a challenging scenario for the ex property owner to let his little lady to perform in movies, but he relented paying interest to Geeta's own interest and really like for songs. It was Hanuman Prasad again who presented the lady to Sachin Dev Burman, who was then creating songs for Do Bhai (1947) and S.D. Burman was actually existing when Geeta was executing at the documenting studio space. Going against the guidance of buddies in the songs group, Burman designed Geeta the major musician of Do Bhai (1947). Of the nine songs in the film, the newbie in the marketplace was given six songs-four single figures and two duets and record was designed with Mera Sundar Sapna Beet Gaya, shot on Kamini Kaushal. Other attacks from the film involved Yaad Karoge Yaad Karoge Ekdin Humko Yaad Karoge and Easy Piya To Platform Pardes Hai Basant Ritu Kyon Ayee. Very soon other songs administrators like Anil Biswas, Bulo C. Rani, Khemchand Prakash, Vasant Prakash, Gyan Dutt, Ram Ganguly (much later in his last periods in the 90's in Calcutta, Ganguly said in an meeting that he regarded Geeta's speech better suitable for movies than that of Lata Mangeshkar, no conflicts or disputes please, Ganguly just indicated his own view), Sajjad Hussain, Hansraj Behl, Robin the boy wonder Chattopadhyay, Avinash Vyas, Shaukat Hussain, Datta Korgaonkar, Ghulam Haider, S.N.Tripathy, Vasant Desai, Husnlal-Bhagatram, Ghulam Mohammad, Shyambabu Pathak, Balkishan Kalla, Shankar Shastri, Shankar Rao Vyas, Hiren Bose, Hemanta Kumar Mukherjee and others began using her speech creating Geeta a efficient musician. Sachin Dev Burman and Pandit Hanuman Prasad ongoing to provide her perform.. Sachin Dev Burman provided Geeta her first probability to perform in a Arabic film Samar (1950), the music was Khela Bhangar Khela. Samar was based on Bankimchandra Chattopadhyay's novel and the film was designed in Bombay. It was a dual edition film and Geeta performed for Sumitra Devi in both editions. Until 1951 a design followed. Mostly Geeta used to be the important women musician in the movies that came to her. Then came Baazi (1951) and Expert Dutt. Of the eight songs in Baazi, six were by Geeta (of the other two-one each by Kishore Kumar and Shamshad Begum). All the Baazi songs were excellent attacks, particularly Tadbeer Se Bigdi Hui Taqdeer Bana Le. Dev Anand has said on more than one event that individuals saw this film several periods only for this music series. Her reputation and place was recognized strongly with Baazi, but the Baazi songs also triggered songs administrators thereafter to provide her mainly the mild, westernized and team / cabaret figures. She did in these songs as well and the outcome was that only this kind of songs began arriving to her. Exclusions involved Zalzala (1952), with songs by Pankaj Mallick. The film flopped and down went the songs with the film, but songs like Bujho Bujho Ai Dilwalon and Mujhey Wo Dekh Kar audio excellent nowadays but in 1952, the reaction was warm. Again, Ferry (1954) with songs by Hemanta Kumar Mukhopadhyay met with the same destiny, but Geeta's Rangili Rangili Chhabili Rani was fantastic in one term.
During the creating of Baazi, really like occurred between a new house Expert Dutt Padukone, yet to discover a place in the marketplace and Geeta, a well recognized play-back musician. Expert Dutt belonged to a little group of Saraswat Brahmins, his native terminology was Konkani. Geeta was a Arabic Kayastha lady. However, issues of caste, creed and place in group were get over and they got wedded on the 26th day of Goal, 1953. Music film director Anil Biswas and his musician spouse Meena Kapoor performed efficient positions in organizing the big event. In 1952, came O.P. Nayyar, who used Geeta's speech in Aasmaan. This film flopped (Dekho Jadu Bhare Morey Nain remain one of the all-time most favorite of Geeta fans) but Nayyar used Geeta again in Baaz (1953). This one also bombed at the box workplace but songs like Zara Saamne Aa, Majhi Albele, Taare Chandni Afsane create wonderful listening to even nowadays. Regardless of a pathway of flops in Nayyar's profession till then, Geeta suggested Nayyar's name when spouse Expert Dutt created Aarpaar (1954) and right she was because every music of Aarpaar (1954) became crazy attacks. Apart from Geeta, the other play-back performers were Shamshad Begum, Mohammad Rafi, Suman Kalyanpur. Nayyar did not have to look returning after Aarpaar. At house unfortunately, the satisfied periods did not last lengthy. The several was endowed with three kids, two kids Tarun and Arun and a little lady Neena. At some factor "the other woman" became very appropriate in Expert Dutt's lifestyle and factors for the several was never the same again. Expert Dutt's really like for Waheeda Rehman triggered serious marriage discord and the spouse began remaining out of house most of plenty of efforts and began based on liquor and sleep aids, the dosage of which improved day by day. Geeta experienced from depressive disorders however and discovered comfort in liquor. After a aggressive fight one day, Geeta experienced Expert Dutt that she would never perform in his movies. Expert Dutt immediately approached Lata Mangeshkar, who made the decision quickly to perform for Kagaz Ke Phool. However, Geeta came to know of this and went directly to Lata and asked for her to dissociate herself from the venture. Lata took in sympathetically, recognized the scenario and known as Expert Dutt and advised him that she would not be able to perform for him. So Expert Dutt went to returning to his spouse. Meanwhile, Geeta's profession experienced poorly with her almost never being prepared for the files soon enough. At periods she was perished in liquor and when clean she was psychologically too disappointed to convert up to the companies to use or to record. Music administrators progressively shied away, there was neither adequate time nor the need to delay for Geeta for others were available. Life had become unpleasant for Geeta. Sometime in the delayed sixties, Expert Dutt probably designed a serious attempt for a create up with his spouse. Things had gone far, but perhaps not beyond fix. Expert organized a film Gauri, with Geeta as the heroine in the headline aspect. Some capturing was done and Geeta sensed better, obtained some assurance. However, film was shelved for factors unidentified. Again, when Kanan Devi's spouse film director Haridas Bhattacharjee approached Expert Dutt to do Srikanta's aspect in Abhaya O Srikanta (1965), Expert Dutt made the decision quickly but was adament that Geeta should get the aspect of heroine Abhaya. Haridas Bhattacharjee was reluctant about getting Geeta, because the aspect needed not executing but executing expertise, but Expert Dutt stayed company. Some photos from Gauri were proven to Bhattacharjee, who still did not experience very acquaintance. Expert Dutt probably desired Geeta to come back to a constant and healthier mind-set. However, reducing off Waheeda Rehman from his lifestyle seemed to be difficult and encountered with the scenario of maintaining both the spouse and the fan satisfied simultaneously, one critical evening, took an over dosage of sleep aids, whether by chance or by option is controversial. He was discovered deceased in the starting time of the 9th day of Oct, 1964. The Bengal scenario had been somewhat different for Geeta. She ongoing to perform almost until the loss of lifestyle of her spouse, nothing big amount sensible but fantastic as far as top quality was involved. Her Arabic primary songs like Krishnachura Agun Tumi, Sachimata Go, Krishnanagar Thekey Ami, Bhaber Kheya Ebar Baowa and several others keep hassle songs lovers even nowadays. For the Arabic movies she performed for the heroines mainly until the end and mature songs administrators like Robin the boy wonder Chattopadhyay, Anil Bagchi, Hemanta Mukherjee, Sudhin Dasgupta used her speech to complete benefits.
After the loss of lifestyle of Expert Dutt, economical issues took a serious convert and Geeta had to go returning to songs administrators and manufacturers for perform. Nothing much came out of these is attractive. She took up executing in group features again but here again the container only assisted her to slide down the stairways. Here one must discuss the aspect performed by Hemanta Mukherjee on one such event. A operate had been organized in Calcutta with Hemanta and Geeta, from Bombay, as the primary performers. Passes marketed by their name and the other performers were mainly regional newbies. The viewers cheered merrily when Geeta took over the scott, but Hemanta was quite frightened, he sensed that Geeta was intensely canned and hardly handled to take a position on the dais. He improved to the event as an older sibling would and joined the level and declared that Geeta and he had made the decision to perform their duets that evening. This was welcomed with more regards. Hemanta did all the executing while Geeta just signed up with him where she could. The whole level control approved off well and the viewers did not get to know what had actually occurred. There were activities when Geeta was shooed out of the level by the group.
Music film director Kanu Roy in his first venture as songs film director, provided her one of the two songs in Uski Kahani (1966), the unforgettable Aaj Ki Kalighata. In the mid 1960s, film director cum manufacturer cum executing expert Ajay Biswas, provided her a aspect reverse Pradeep Kumar in a Arabic film Badhubaran (1967). Geeta had one of the four songs here and despite of Kamal Dasgupta's songs, the film and the music flopped. Her profession was completed for all realistic reasons after 1962 after Sahib Bibi Ghulam (1962) and liquor was her only partner. However, in 1971, she was known as by the Gramophone Organization of Indian to record two songs for Durga-Puja time launch. The two songs (O Bodhu Shono O Amay Bolo and Anjan Diyechhi Chokhey, songs by Swapan and Jagmohan with lines by Mukul Datta in an prolonged perform record with one music in each aspect on Odeon label) became quite well-known though not excellent attacks. Kanu Roy, in his next venture provided her three songs for Anubhav (1971). Mera dil Jo Mera Hota, Meri Jaan and Koi Chupke Se Aake from Anubhav exposed clearly that despite of all the disasters, she could perform and perform well enough. These songs' reputation could mean a second innings for her. However all this came rather delayed in the day and with her liver organ poorly damaged from cirrhosis, a possible second innings came to be a non-starter. Considering the industry of Geeta's 1971 Puja songs, the organization welcomed her again to record two more songs for the 1972 Pujas. The day was the 13th day of This summer, 1972. Geeta known as up the studio space and advised that she was sick and would not be available that mid-day. The regulators took for provided that the actual purpose for her lack was the container again. However, she was put in the medical center again and exactly per 7 days later on the 20th of This summer, 1972 she inhaled her last at Harkisandas Hospital.

Geeta Dutt was designed into a wealthy zamindaar's close relatives as Geeta Ghosh Roy Chowdhuri in Faridpur, Eastern Bengal, her moms and dads moved to a Dadar property in Bombay when she was 12. Over there in their moderate smooth at Dadar, composer/music film director Hanuman Prasad, overheard her executing gently and made the decision to provide her coaching in executing. He launched her in a refrain music in Bhakht Prahlad (1946), where she performed only two collections. But her making of those two collections separated itself and amazed everybody in the documenting studio space. Her important task was in the following season with Do Bhai. The songs of that film visited in a big way and Geeta became a top play-back musician.
Career
1947 - 1949 saw Geeta as the variety one play-back musician in the Bombay film industry as she moved from durability to durability. Only two play-back performers handled to withstand Lata's assault in the Nineteen sixties. They were Shamshad Begum and Geeta Roy. Though instructed to the second identify, Geeta handled to keep her own against Lata for more than a several years, and she and Lata became the leading women play-back performers of the Nineteen sixties. Initially, Geeta was a musician well known for executing bhajans and weepy, sad songs, but 1951 saw the discharge of Baazi. The jazzy musical show ranking of the film by SD Burman designed a new aspect in Geeta's executing. The sex attraction in her speech and the convenience with which she went western was outstanding to look at. From then on in the Nineteen sixties for a team dancing and a alluring music, was the first option was Geeta.
Personal Life
During the documenting of a music, she met the young and upcoming film director of the film, Expert Dutt. Thus flourished a love and they became involved. They had to get over a lot of close relatives oppostition to get married to. They wedded on 26 May 1953 and had three kids. They were Tarun (b. 1954), Arun (b. 1956), and Nina Dutt (b. 1962). Geeta went on to perform some of her best songs in his movies while ongoing to perform in various outside projects as well. S.D. Burman was amongst the first to discover the miracle in her speech with Do Bhai. He efficiently used the Arabic lilt in her speech memorably in movies like Devdas (1955) and Pyaasa (1957). In reality, no women musician has better articulated the soul of Burmanda's songs in its starting decades. O.P. Nayyar had designed the aspect of Geeta which had appeared with Baazi. Under his freewheeling baton, Geeta designed into a really hep musician who could buckle out any variety - smooth, sexy, satisfied, fast, adoring, proposition or terrible. It was O.P. who got Geeta to quit being extremely psychological in sad songs. However by 1957, Geeta's wedding had run through challenging climate and was on the stones. Expert Dutt had gotten passionately involved with his new important lady Waheeda Rehman. The splitting up of her wedding also began providing effects on her profession. To quieten factors down, Expert Dutt launched a film Gauri (1957) with her in the cause. She was to be launched as a executing celebrity and it was to be India's first film in cinemascope but the film was shelved after just a few periods of capturing. This was adequate time when one observed problems from songs administrators about her not being quickly available for rehearsals and files.
In reality, in 1958, when he dropped out with Lata Mangeshkar, Burmanda was looking to create Geeta his primary musician rather than the lengthy run Asha Bhosle. After all Geeta was a older musician while Asha was still raw. But due to her struggling wedding, Geeta was not able to exercise in the design needed by Burman who was a difficult taskmaster regarding rehearsals. He signed up with O.P. Nayyar in forming Asha rather than delay for Geeta. Consequently, Asha not only took her place but went beyond her. And to worsen, Geeta began discovering comfort in drinking
Geeta Roy was designed in Faridpur District in Eastern Bengal when she was just 12 her moms and dads moved to Mumbai. Over there in their moderate smooth at Dadar songs film director Hanuman Prasad observed her executing gently. He provided her two collections to perform in the film Bhakt Prahlad ( 1946 ). "I provided play-back for some kids." she said. But her making of those two collections separated itself and amazed everybody in the documenting studio space. A minimal occurrence became the genesis of an excellent musical show profession. Her important task come the following season, 1947, with Filmistan's Do Bhai. Music Director S.D. Burman had observed the music in Bhakt Prahlad and he quickly got keep of her cope with and met her to use her speech in the film. The songs of that film visited in a big way particularly 'Mera sundar sapna beet gaya.' Geeta Roy had came. Disk machines of the music rocketed to new levels. 1947-1949 saw Geeta Roy concept as the variety one play-back musician in the Mumbai film industry as she moved from durability to durability.
However three movies launched in 1949. Barsaat, Andaaz and Mahal. All three striking attacks. The songs of each film better than the other. In all three movies the heroine's songs were sang by a gal who had also designed her first appearance in play-back executing in 1946 but till then had not designed any important progress in her profession. The achievements of these movies modified all that. The music 'Aayega aanewala' from Mahal improved to levels of till then hidden reputation. ( It continues to be an all-time suggested even nowadays ) The musician was ... Lata Mangeshkar. Lata went on to become the biggest play-back musician the Native indian display has ever seen. Only two performers handled to withstand the Lata assault in the Nineteen sixties. Shamshad Begam and Geeta Roy. Though instructed to the second identify, Geeta handled to keep her own against Lata for more than a several years and she and Lata were the leading two women play-back performers of the Nineteen sixties.
By 1951, Geeta had become a musician well known for bhajans and weepy weepy sad songs. Jogan( 1950 ) actually had 12 single bhajans sang by her! But 1951 also saw the discharge of a film, Baazi. Directed by new film director Expert Dutt, the film, a criminal action thriller affected by the film black action of The show biz industry was a pattern setter of types, resulting in a spate of city criminal action movies that Bollywood created in the Nineteen sixties. The jazzy musical show ranking exposed a new aspect to Geeta's executing. The sex attraction in her speech and the convenience with which she went western was amazing to look at. While every music in the film was a flaming hit, one separated itself for exclusive attraction. 'Tadbir se bigdi hui taqdeer' a ghazal that was occidentalized into a jazzy alluring song! From then on in the Nineteen sixties for a team dancing or a alluring music, the first option was Geeta. The music separated itself fo rmore factors than one. During the documenting of the music she met the young film director of the film, Expert Dutt. Thus flourished a love which culminated in wedding on 26 May,1953. Geeta went on to perform some of her best songs in her spouse's movies while ongoing executing in various outside projects as well. The several had two kids Tarun and Arun and a little lady Nina.
However by 1957 the wedding had run into challenging climate and was on the stones. Expert Dutt had got involved with his new important lady Waheeda Rehman. And it was interesting that Geeta the play-back singer's speech was used on Waheeda Rehman the celebrity as she 'sang' lovely nothings to Expert Dutt. The splitting up of her wedding also began having effects on her profession. To quieten factors down Expert Dutt launched a film Gauri( 1957 ) with her in the cause. She was to be launched as a executing celebrity and it was to be India's first film in cinemascope but the film was shelved after justa few periods capturing. This was adequate time when one observed problems from songs administrators about her not being quickly available for either rehearsals or files. She ignored her riaz. And to worsen she began discovering comfort in beverages.
On Oct 10, 1964 Expert Dutt approved away. Waheeda had gone out of his lifestyle. And Geeta and he could never really get returning together. It is said his loss of lifestyle due to an over dosage of resting tablets in his consume was a car occurrence but the cause of loss of lifestyle continues to be a secret. Geeta was a damaged lady, destroyed by his loss of lifestyle. She now had neither her executing or her spouse. Lata's young sis, Asha Bhonsle, had not only taken her place but had gone beyond her. Geeta experienced a anxious malfunction. When she retrieved she discovered herself in a economical blunder. She did try to proceed executing again, reducing disks at Durga Puja and providing level reveals , even doing a Arabic film, Badhu Bharan ( 1967 ) as heroine! But her wellness kept unable as she consumed herself to a factor of no come back. She approved away of cirrhosis of the liver organ in 1972. But not before she exposed she still had it in her were she given a scott to perform. The songs of Basu Bhattacharya's Anubhav ( 1971 ), 'Meri jaan mujhe jaan na kaho meri jaan', 'Koichupke se aake' and 'Mera dil jo mera hota' signify some of the best perform that Geeta Dutt ever did.
The first factor that attacks one when you listen to Geeta Dutt perform was that she never performed. She just glided through a track. Of all her competitors her musical show coaching was perhaps the sketchiest but what she was missing in coaching and strategy, she more than designed it with her capability to take in lifestyle and feelings into any music she was executing. In the documenting space there was no related Geeta's vivacity, energy and impulsiveness, her sensation of beat remarkable. Her potential to be both delicate yet delicate gives Geeta Dutt's speech a exclusive heavenly top quality. To quotation Raju Bharathan, Music writer in Filmfare Feb 1-15, 1985 Web page 89,
'Geeta Dutt was thandi hawa and kaali ghata combined into one. When she came, you got the relaxing sensation of aa hi gayi jhoom ke. There was a unusual move in her speech. She hit you like a thunderclap..........This designed Geeta Dutt the one musician that Lata Mangeshkar really terrifying. In coaching and strategy Lata was way forward but neither coaching nor strategy was of much use when rough against Geeta in the documenting space........This put Lata on the protecting and I think she prevented executing with Geeta as far as possible. (They have sang few duets) I vaguely keep in thoughts Lata recognizing this reality when Geeta approved away on This summer 20, 1972.'
Geeta Dutt obtained intensely as a musician particularly when she performed under the baton of two songs administrators, S.D. Burman and O.P.Nayyar.
The S.D. Factor:
S.D. Burman was among the first to discover the miracle in Geeta Dutt's speech. In 1947 with Filmistan's DoBhai. He convinced manufacturer to provide her a crack. The manufacturer being uncertain of Geeta designed a cope with S.D. Burman. She would record a music but it would be maintained only after listening to the outcome. The music 'Humein chod piyakis desh gaye' was documented and replayed. The relax as they say is record. Even as it cause to Geeta becoming the major musician of the industry by 1951 she had discovered herself in a place where she was regarded excellent only for bhajans and sad songs. It took S.D.Burman's jazzy and westernized ranking for Baazi which presented Geeta's versatility, her windy speech. S.D. Burman efficiently used the Arabic lilt in her speech memorably in movies like Devdas and Pyaasa. Thesong 'Aaj sajan mohe ang lagalo' from the latter is one of the best illustrations of the Arabic kirtan put over on the Hindi display. No women musician has better articulated the soul of Burmanda's songs in its starting decades. In reality in 1957, when he dropped out with Lata, Burmanda was looking to create Geeta his primary musician rather than the lengthy run Asha Bhonsle. After all by then Geeta was a older musician while Asha was still raw. But due to her struggling wedding Geeta was not totally able to exercise in the design needed by S.D.Burman who was a difficult taskmaster in issue of rehearsals. He signed up with O.P. Nayyar in forming Asha rather than delay for Geeta. Some unforgettable songs sang by Geeta under S.D. Burman's baton are:
'Mera sundar sapna beet gaya' (Do Bhai - 1947 )
'Woh sapnewaali raat' (Pyaar - 1950 )
'Tadbir se bigdi hui taqdeer' (Baazi - 1951 )
'Aan milo aan milo' (Devdas - 1955 ) with Manna Dey
'Aaj sajan mohe ang lagalo' (Pyaasa - 1957 )
'Hawa dhire aana' (Sujata - 1959 )
'Waqt ne kiya kya haseen sitam ' (Kaagaz ke Phool - 1959 )
Geeta performed 72 songs for Dada Burman of which 43 were solos. The last music she documented for him was from the film Ziddi(1964), 'Main tere pyaar mein kya kya na bana dilbar.'
The O.P. Nayyar wave:
Geeta suitable O.P. Nayyar's ebullient styles to a T. He designed the aspect of Geeta which had appeared with Baazi. Under his freewheeling baton Geeta designed into a really hep musician who could buckle out any variety - smooth, sexy, satisfied, fast, adoring, proposition or terrible. It was Geeta Dutt's unusual existing that she could effervescently perform for both the toy and the moll. And it was O.P. who got Geeta to quit being brazenly psychological in sad songs. O.P.'s feedback on Geeta :
' ..........Who will refuse there is a exclusive top quality to her executing. Present her with a coldly westernized track this momentand a complicated traditional structure the next, and she will do equivalent rights to both with an convenience of appearance which a musician can only be designed with. She is particularly excellent for songs associated with energetic jamborees. With that enticing lilt and amazing shapes she places into her executing,she is the best option if it is alluring attract you want in a music........Geeta Dutt is an resource to any songs film director. '
Some underworld gemstones sang by Geeta Dutt underO.P. Nayyar's baton:
'Zara saamne aa'( Baaz - 1953 )
'Babuji dhire chalna' (Aar Paar - 1954 )
'Thandi hawa kali ghata' (Mr. & Mrs 55 - 1955 )
'Jab badal lehraya' (Chchoomantar - 1956 )
'Mere zindagi ke humsafar' (Shrimati 420 - 1956 )
'Chor, lutere, daku'( Ustad - 1957 )
'Mera naan chin area chin choo' (Howrah Link - 1958 )
'Kaisa jadoo balam track dara' (12 o-clock - 1958 )
This is not to say that Geeta was any less efficient with other songs administrators. The songs she has sang for Hemant Kumar in Anandmath ( 1952 ), Bahu ( 1954 ),Ek Jhalak ( 1957 ), Sahib Bibi aur Ghulam ( 1962 ) keep statement to this. It's just that for the actual amount and the scaleof reputation that the songs of S.D. Burman and O.P. Nayyar achieved create them exclusive in Geeta's oeuvre.
The Best of Geeta Dutt
In starting 1957 while choosing the ten best songs that she has sang, Geeta Dutt mentioned
' Many people have a complicated that efficient film songs are not necessary the best. I beg to vary. If a music grabs group elegant it could only be because of complete excellence in all divisions - in its songs, in its composing, in its executing. Should I then record my ten best songs or my ten most well-known songs? The splitting range, I experience is very slim. The songs that have was standing the analyze of group acceptance and the songs that have individually become a huge hit to me are the same. '
The ten songs she chosen then showed certain attractions in her executing profession. They are:
'Mat ja mat ja jogi' (Jogan - 1950 ) This was her own individual suggested.
'Mera sundar sapna beet gaya' (Do Bhai - 1947 )
'Na yeh chand hoga' (Shart - 1954 )
'Tadbir se bigdi hui taqdeer' (Baazi - 1951 )
'Yeh lo primary hari piya' (Aar Paar - 1954 )
'Khayalon mein kisike' (Baawre Nain - 1950 ) with Mukesh
'Aaj sajan mohe ang laga lo' (Pyaasa - 1957 )
'Jaane kya tunhe kahi' (Pyaasa - 1957 )
'Ae dil mujhe bata de' (Bhai Bhai - 1956 )
'Hai yeh duniya kaunsi' (Sailaab - 1956 )
This as described was in starting 1957. Stating the purpose for her choices Geeta mentioned:
' I think that a music must show individual feelings in simple terminology and in a track that offers the musician adequate probability to do complete rights to the believed actual the lyric. I think that the songs Mentioned are very easier than you think to be valued by individuals of all age groups at all periods.'
Some of Geeta's best perform for e.g. 'Waqt ne kiya kya haseen sitam' from Kaagaz ke Phool(1959), 'Chale aao, chale aao' from Sahib Bibi aur Ghulam (1962) and the songs of Anubhav (1971) were to come later and normally they do not discover a place in that record.
Thus if I were to decide on a record nowadays, it might study something like this:
'Waqt ne kiya kya haseen sitam' ( Kaagaz ke Phool - 1959)
'Aaj ki kaali ghata' (Uski Kahani - 1966 )
'Meri jaan mujhe jaan na kaho meri jaan'( Anubhav - 1971 )
'Na jaao saiyaan chudha ke baiyaan'( Sahib Bibi aur Ghulam - 1962 )
'Yeh lo primary hari piya' (Aar Paar - 1954 )
'Tadbir se bigdi hui taqdeer' (Baazi - 1951 )
'Na yeh chand hoga' (Shart - 1954 )
'Aaj sajan mohe ang laga lo' (Pyaasa - 1957 )
'Mera sundar sapna beet gaya'( Do Bhai - 1947 )
'Ghungat ke pat khol' (Jogan - 1950 )
This is of course but a individual option. And a most challenging one to create. For many of Geeta Dutt's songs withstand in attraction even nowadays. The critical would ask but what about 'Hawa dhire aana' from Sujata ( 1959 ) or'Thandi hawa kali ghata' from Mr. and Mrs 55 ( 1955) or for that issue even ' Mera naam chinchin choo' from Howrah Link ( 1958 ) or 'Jaata kahaan hai diwaane' from C.I.D. ( 1956 ) Well try creating your own list! See if you can handle to consist of 'Tehro zara si der' from Savera ( 1958 ) or 'Ja ja ja ja bewafaa' from Aar Paar ( 1954 ) or 'Preetam aan milo' from Mr. and Mrs 55. ( 1955 ) or even 'Aayi birha ki raat' from Navdurga( 1953 ).
Albums of Geeta Dutt Available
Cassettes:
Hindi:
Magic Moments - Geeta Dutt
Enchanting time with GeetaDutt
The Best of Geeta Dutt
All time best - Geeta Dutt( set of 2 )
Rare gemstones - Geeta Dutt (setof 2 )
The Fantastic Selection - Geeta Dutt ( set of 4)
Duets to keep in thoughts - Geeta Dutt & Talat Mehmood
The Fantastic Selection - Duets of Geeta Dutt (set of 4)
Hits of Geeta Dutt
HMV ke anmol ratan - Geeta Dutt Vol 1 Babuji dheere chalna
HMV ke anmol ratan - Geeta Dutt Vol 2 Ghunghat ke pat khol
Anmol yaadein - Geeta Dutt Vol 1 Babuji dheere chalna
Anmol yaadein - Geeta Dutt Vol 2 Ghunghatke pat khol
The Fantastic Selection - Geeta Dutt, the irrepressible
Geeta Dutt performs for O.P. Nayyar
Gujarati:
A teetna sambharna - Geeta Dutt
Bengali :
Modern Arabic songs - Geeta Dutt
Film songs of Geeta Dutt
All time best - Geeta Dutt ( set of 2)
CDs:
Hindi:
The Fantastic Selection - Geeta Dutt ( setof 2 )
Magic Moments - Geeta Dutt
Duets to keep in thoughts - Geeta Dutt
Rare Gems - Geeta Dutt
The Fantastic Selection - Geeta Dutt, the irrepressible
Geeta Dutt - Intense Songs.

GEETA DUTT